Neil being sensible about awards
From over here
I think people mostly think I'm exaggerating when I tell them that for me the fun is in being nominated for awards, not in winning, but overall that's true. [...] I guess it's because I've been an awards judge and have watched what happens (all too often, everyone's second choice wins, because everyone can agree on that), and because the gap between win and lose is so small. I like being nominated -- it makes me feel like I've hit an award-nominated level of quality, and that feels good. Beyond that, it's a horse race and the end result of the horse race doesn't matter. I realise that there aren't a lot of people who feel like this about awards, and I'm also aware that it's easy for me to say, because I've already got my fair share of awards and more, so talking about not caring about the actual winning can sound, frankly, smug. But it's still how I feel. [But I could really use 35,000 euros...]
And this [the Edge Hill] is a good award: there's not enough attention paid to short stories. They're seen as trivial, or not as good as novels. They have that whiff of unreality about them that means that people who only write short stories are always being asked when they will be writing a real book. I've not seen another award given to single author collection regardless of genre.